Volume 3: Material Culture, Socio-territorial Features, Archaeozoology and Archaeometry

Arts and Archaeology of the Islamic World volume 21
2024 Brill

Foreword ix
Preface x
List of Figures xi
List of Tables xviii
Notes on Contributors xx

Introduction 1
Rocco Rante

Settlements and Social Features within the Oasis of Bukhara
Rocco Rante, Abdisabur Raimkulov and Fabrizio Crusco

Vardana and the Villages of Obavija
Territorial Definition of a High Medieval District in the Bukhara Oasis 25
Silvia Pozzi

The Bukhara Archaeological Expedition The History of Research in Paykend 43
Andrey V. Omelchenko and Djamal Mirzaakhmedov Translated from Russian by Rocco Rante

Pottery 94
Gabriele Puschnigg and Jacopo Bruno

Petrographic and Chemical Analyses of Ceramics from the Oasis of Bukhara 236
Yvan Coquinot and Nathalie Gandolfo

Physico-chemical Analyses of Ceramics from Bukhara and Paykend 249
Anne Bouquillon, Christel Doublet and Nathalie Gandolfo

Decorated Glazed Ceramics from Bukhara (15th–16th Centuries) 266
Djamal Mirzaakhmedov
Translated from Russian by Rocco Rante

Glassmaking in the Urban Centres of Uzbekistan in the 9th–15th Centuries 278
Djamal Mirzaakhmedov
Translated from Russian by Rocco Rante

Glass in the Bukhara Oasis, Uzbekistan 304
Yoko Shindo (1960–2018), Takako Hosokawa, Tamako Takeda, Toshiyasu Shinmen and Ayano Endo

Animal Remains in the Oasis of Bukhara: Preliminary Results 364
Decruyenaere Delphine, Rocco Rante, Manon Vuillien and Marjan Mashkour

Radiocarbon Dating in the Oasis of Bukhara 371
Pascale Richardin and Rocco Rante

Luminescence Dating of Archaeological Sites from the Oasis of Bukhara 382
Antoine Zink, Elisa Porto and Rocco Rante

Conclusion 405
General Bibliography 409 Index 423

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À l’orientale: collecting, displaying and appropriating Islamic art and architecture in the 19th and early 20th centuries

edited by Francine Giese, Mercedes Volait, Ariane Varela Braga

Brill 2020 Arts and Archaeology of the Islamic World volume 14

Foreword vii
Albert Lutz

Acknowledgements viii List of Illustrations ix Notes on Contributors xiv
Honoring Henri Moser Charlottenfels 1
Roger Nicholas Balsiger

Introduction: Islamic Art and Architecture Exposed 8
Francine Giese, Mercedes Volait, and Ariane Varela Braga

Part 1
Islamic Taste in the Nineteenth and Early Twentieth Centuries
Safavid Revival in Persian Miniature Painting: Renewal, Imitation and Source of Inspiration 15
Axel Langer

«De véritables merveilles d’exécution»: Les vitraux du fumoir arabe d’Henri Moser 28
Sarah Keller

L’art islamique et la fabrique de l’Histoire des musulmans de Sicile de Michele Amari 39
Hélène Guérin

Orientalisme versus orientalité: La nouvelle appréciation des arts de l’Islam en Pologne au début du xxe siècle 48
Agnieszka Kluczewska-Wójcik

Part 2
Appropriation, Reuse and Eclecticism
Appropriating Damascus Rooms: Vincent Robinson, Caspar Purdon Clarke and Commercial Strategy in Victorian London 65
Moya Carey

Le remploi de grands décors mamelouks et ottomans dans l’œuvre construit d’Ambroise Baudry en Égypte et en France 82
Mercedes Volait

International Fashion and Personal Taste: Neo-Islamic Style Rooms and Orientalizing Scenographies in Private Museums 92
Francine Giese

Part 3
Museums and International Exhibitions
8 Carpets and Empire: The 1891 Exhibition at the Handelsmuseum in Vienna 111
Barbara Karl

Henri Moser as Commissioner General of the Pavilion of Bosnia and Herzegovina at the 1900 Universal Exposition in Paris 124
Ágnes Sebestyén

1Samarcande au nord et à l’ouest : Appropriation(s) de l’architecture timouride à Saint-Pétersbourg et à Berne 137
Katrin Kaufmann

1Tashkent in St. Petersburg: The Constructed Image of Central Asia in Russia’s Nineteenth-Century Ethnographic Exhibitions 151

Inessa Kouteinikova

Part 4
Collectors and Networks
“Troppo amanti degli oggetti orientali”? : Ferdinando Panciatichi Ximenes d’Aragona, a Collector of Islamic Art in Nineteenth-Century Florence 165
Ariane Varela Braga

The Arab Room of Achille Vertunni: Islamic Art in the Streets of Rome 177
Valentina Colonna

“Our aim is to perform something that remains after we are gone”: The Oriental Collection Henri Moser Charlottenfels at Bernisches Historisches Museum 189
Alban von Stockhausen

Yakov Smirnov’s Photo Collection: The Orient in XIX-Century Photography 201
Maria Medvedeva

Who’s Who 213
Index of Persons 219
Index of Places 222

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